“Monuments and memorials today are discursive, sentimental, addicted to narrative literalism, and asking to be judged on good intentions rather than visual coherence. This change began, ironically, with a critique of the overwrought memorials of the Victorian era. In reaction, the first generation of modern architects decided that we needed an entirely different vocabulary of monuments. So when modernism went about dislodging the structures of traditional society, culture, religion, and the political and social order, it also began dispensing with the arches and columns that paid tribute to that order. This was not easy, however, because modernism was concerned with the future and monuments are retrospective.” . . . more
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